{"id":254806,"date":"2026-04-10T09:05:17","date_gmt":"2026-04-10T08:05:17","guid":{"rendered":"https:\/\/www.musicbusinessworldwide.com\/?p=254806"},"modified":"2026-04-10T09:05:17","modified_gmt":"2026-04-10T08:05:17","slug":"hit-boy-on-working-with-travis-scott-and-drake-to-jay-z-beyonce-and-more-superstars","status":"publish","type":"post","link":"https:\/\/www.musicbusinessworldwide.com\/hit-boy-on-working-with-travis-scott-and-drake-to-jay-z-beyonce-and-more-superstars\/","title":{"rendered":"\u2018Producers don\u2019t get the recognition and respect that we deserve a lot of the time. We\u2019re literally half of the song.\u2019"},"content":{"rendered":"<p class=\"p1\">MBW\u2019s World\u2019s Greatest Producers series sees us interview \u2013 and celebrate \u2013 some of the outstanding talents working in studios across the decades.\u00a0This time out, we meet Chauncey Alexander Hollis Jr., aka\u00a0<strong>Hit-Boy, who has worked with hip-hop\u2019s biggest superstars, from\u00a0<a class=\"link-relationship\" title=\"Artists &gt; Travis Scott [245 articles]\" href=\"https:\/\/www.musicbusinessworldwide.com\/artists\/travis-scott\/\" target=\"_blank\" rel=\"noopener\">Travis Scott<\/a>\u00a0and Drake, to Jay Z &amp; Kanye West, Beyonc\u00e9,<i>\u00a0<\/i>Lil Wayne &amp; Eminem, Kendrick Lamar, Nas and more<\/strong>.\u00a0World\u2019s Greatest Producers is supported by\u00a0<a class=\"link-external\" href=\"https:\/\/kollectivenr.com\/\" rel=\"noopener\">Kollective Neighbouring Rights<\/a>, the neighbouring rights agent that empowers and equips clients with knowledge to fully maximise their earnings.<\/p>\n<hr \/>\n<p class=\"p1\">If you call yourself Hit-Boy, you\u2019d better not miss.<\/p>\n<p class=\"p3\">And, thankfully, that has not been a problem of late for Chauncey Alexander Hollis Jr, now much better known by his ubiquitous producer name.<\/p>\n<p class=\"p3\">Hit-Boy has rewritten rap\u2019s coding multiple times. And, while hip-hop innovation and chart success don\u2019t always go hand-in-hand, he has also been on a generational run as a hitmaker.<\/p>\n<p class=\"p3\">From Travis Scott &amp; Drake\u2019s <i>Sicko Mode<\/i> to Jay Z &amp; Kanye West\u2019s <i>Ni**as In Paris<\/i> via Beyonc\u00e9\u2019s <i>Texas Hold \u2018Em<\/i>, Lil Wayne &amp; Eminem\u2019s <i>Drop The World<\/i>, Kendrick Lamar\u2019s <i>Backseat Freestyle<\/i>, multiple classic Nas albums and songs by everyone from Ariana Grande to Doechii, Hit-Boy has always been nominative determinism in excelsis.<\/p>\n<p class=\"p3\"><span class=\"s1\">\u201cI probably manifested that run with the name alone,\u201d he chuckles. \u201cI\u2019m always excited to do this shit, especially when I\u2019m truly inspired. Every time I throw, I\u2019m like, \u2018Damn, I\u2019ve got new codes\u2019. I feel like a new artist every day.\u201d<\/span><\/p>\n<blockquote><p>\u201cThis is the new version of me, the free version. I\u2019m thinking way clearer now.\u201d<\/p><\/blockquote>\n<p class=\"p3\">And, indeed, as well as his stellar production work, Hit-Boy\u2019s next target is to conquer the rap world as an artist in his own right.<\/p>\n<p class=\"p3\">Young Chauncey actually started as a rapper growing up in Fontana, California, following in the footsteps of his uncle Rodney Benford (who had a successful music career in R&amp;B group Troop) and father Big Hit (whose rap career was derailed by a lengthy jail term, then revived when he cut multiple projects with his son on release, although Hit Senior is now sadly back in jail).<\/p>\n<p class=\"p3\"><span class=\"s1\">Pretty soon, however, Hit-Boy \u201ctook so much liking to the beats\u201d that he moved into production. After putting his work on MySpace, he was signed up by producer Polow Da Don, relocated to Atlanta and then moved to work in-house at Kanye West\u2019s G.O.O.D Music, on his way to his current status as hip-hop\u2019s hitmaker-in-chief.<\/span><\/p>\n      <div class=\"mb-advert__incontent\">      <div class=\"mb-advert mb-advert__tweeny hidden-xs hidden-ms hidden-sm\" data-loaded=\"no\" data-sizes=\"992 1200 1440\" data-name=\"628x90 Sponsor banner #12 (992+1200+1440)\" data-params=\"dfp_sponsor12_628\" id=\"dfp_sponsor12_628\"><\/div>      <div class=\"mb-advert mb-advert__banner mb-advert__banner--inline hidden-xs hidden-sm hidden-md hidden-lg\" data-loaded=\"no\" data-sizes=\"480\" data-name=\"468x60 Sponsor banner #12 (480)\" data-params=\"dfp_sponsor12_468\" id=\"dfp_sponsor12_468\"><\/div>      <div class=\"mb-advert mb-advert__mobile mb-advert__mobile--inline hidden-ms hidden-md hidden-lg\" data-loaded=\"no\" data-sizes=\"320 768\" data-name=\"300x50 Sponsor banner #12 (320+768)\" data-params=\"dfp_sponsor12_300\" id=\"dfp_sponsor12_300\"><\/div>      <\/div>      \n<p class=\"p3\">Now, he\u2019s spreading his own artistic wings. After stepping back from social media for the first half of 2025, he\u2019s now everywhere: releasing both his collaborative high-concept <i>Goldfish<\/i> project with fellow super-producer The Alchemist (\u201cWe\u2019ve been tapped in with each other for years, and we eventually knew we had to do a full-length together\u201d) and the Yeast Talkin\u2019 album with his long-time musical foil, Spank Nitti James (\u201cWe\u2019ve done a lot of collaborations together, so it was only right that we united for a full tape\u201d).<\/p>\n<p class=\"p3\">His much-touted solo album proper, <i>SFTWRE UPDTE<\/i>, is imminent.<\/p>\n<p class=\"p3\">\u201cThese projects showcase a different side of my artistry, as I continue to embrace my new creative freedom,\u201d he says. \u201cThis is going to be the new version of me, the free version. I\u2019m thinking way clearer right now, there\u2019s so much that can be done still. Let\u2019s get it started!\u201d<\/p>\n<hr \/>\n<div class=\"mb-embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/6ONRf7h3Mdk?si=xUoqMkRUM7LUyzj3\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p class=\"p3\">And, indeed, while Hit-Boy\u2019s interview technique is generally laidback to the point of almost being horizontal, he fizzes with enthusiasm at finally being able to fully embrace those future plans, even as a general distrust of the wider music industry simmers below the surface: on Goldfish\u2019s <i>God Is Great<\/i>, he seems to take aim at being passed over \u2013 twice \u2013 for the Producer Of The Year Grammy (although he has won three times in rap categories), rapping: \u201cI be on the cusp every fucking year\/But my black skin won\u2019t let me in the clear\/Homie said I need to work with white artists to win at the Grammys\u201d.<\/p>\n<p class=\"p3\">Despite such frustrations, however, the Hit-Boy just keeps on coming.<\/p>\n<p class=\"p3\">And today, basking in the sun in LA\u2019s Toluca Lake neighborhood, the vibes are nothing but positive as he sits down with <i>Music Business Worldwide<\/i> to talk AI, Beyonc\u00e9, and the current state of hip-hop\u2026<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Why is your forthcoming solo record called <i>SFTWRE UPDTE<\/i>?<\/b><\/h6>\n<p class=\"p2\"><span class=\"s1\">Because it\u2019s updating my mind frame, my style, the way I move, everything I do, me being a parent, just trying to be a better dad.<\/span><\/p>\n<p class=\"p3\">Everything in my life, I want to do it the right way and, just like a computer, you\u2019ve got to update yourself, get stronger and smarter, you\u2019ve got to move better. That\u2019s what the whole thing is about. And still improving the tech, even with the AI stuff.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Where do you stand on using AI?<\/b><\/h6>\n<p class=\"p2\">It\u2019s a new day, you\u2019ve got to embrace it. It\u2019s a tool, just something to have in the Rolodex that you can pull out when you need to use it.<\/p>\n<p class=\"p3\">I started making music through tech, using FL Studio, that\u2019s the program I made all my hits on, I still use it to this day. That was frowned upon at first, people was like, \u2018Yo FruityLoops, that\u2019s like some little kids\u2019 stuff\u2019. But that turned into people like Boi-1da and myself making Top 10 and No.1 hits off of FL.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>You\u2019re not worried about AI stealing your sound?<\/b><\/h6>\n<p class=\"p2\">It\u2019s already here! So, I might as well see how I can utilize it and take my stuff to the next level.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Is making your own record very different to producing someone else\u2019s?<\/b><\/h6>\n<p class=\"p2\">Not really. I\u2019m just looking for that feeling. Like, \u2018Man, this shit feels great\u2019. Whether I\u2019m writing, producing, rapping, whatever, I just want to be excited about what I\u2019m working on. I\u2019m chasing that feeling more than anything.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Can your own records become as big as some of the records you\u2019ve produced?<\/b><\/h6>\n<p class=\"p2\">I\u2019m not looking at it from that perspective. I used to have that perspective, but that messes with you mentally.<\/p>\n<blockquote>\n<p class=\"p1\"><span class=\"s1\">\u201cI\u2019m not pop, hip-hop, R&amp;B or whatever; I just make beats. However they land, they land.\u201d<\/span><\/p>\n<\/blockquote>\n<p class=\"p3\">I didn\u2019t understand how this whole thing worked at first but now, I\u2019m just doing straight art. If I can do this, I can just keep getting better. Wherever this shit goes, it\u2019s a stepping stone to the next project.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>So, will you do both production and artist stuff from now on?<\/b><\/h6>\n<p class=\"p2\">I always have. I was never not recording my own music, there might just have been times where I didn\u2019t have a whole thing together to put an album out.<\/p>\n<p class=\"p3\"><span class=\"s2\">I\u2019m glad I was able to get around Kanye, Jay-Z, Beyonc\u00e9, all these people, and learn the type of artist I need to be and the level of greatness you\u2019ve got to strive for and push for every single day. Every detail needs to be thought out \u2013 that\u2019s what I didn\u2019t realize at first but now I understand that.<\/span><\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Your first placement was with Jennifer Lopez. You must have thought being a producer was easy\u2026<\/b><\/h6>\n<p class=\"p2\"><span class=\"s2\">For sure. I always had confidence but, once I started getting in the game, I realized I had a lot more to learn. That made me be like, \u2018I\u2019ve got to stay level-headed and locked in\u2019.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">J-Lo was great, because those were the days when they made CDs. I used to go to Best Buy and open up the CD to show my Mom: \u2018Look, it\u2019s Jennifer Lopez with my name right here\u2019 \u2013 that was the shit for me back in the day.<\/span><\/p>\n<hr \/>\n<h6 class=\"p2\"><span class=\"s1\"><b>What did producing <i>Ni**as In Paris<\/i> do for your career?<\/b><\/span><\/h6>\n<p class=\"p2\"><span class=\"s1\">That took me to that level where people had to respect what I had going. I ended up doing stuff for Kendrick Lamar, A$AP Rocky, they all reached out off of Paris, like, \u2018We need some shit like that\u2019.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">I gave Rocky his first single, <i>Goldie<\/i>, the song he put out on his first major label album and then I did <i>Backseat Freestyle<\/i> for Kendrick \u2013 he [was] performing it on the GNX tour [last year], that shit still is the moment. The same with the Beyonc\u00e9 songs. I give people exciting moments in their concerts.<\/span><\/p>\n<hr \/>\n<div class=\"mb-embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/gG_dA32oH44?si=5cQnvNP7ppR6IA4C\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p class=\"p3\"><span class=\"s1\">But <i>Ni**as In Paris<\/i> \u2013 I\u2019ve still never seen nothing where you could perform it 12 times in a row [as Jay-Z and Kanye West did at a gig in Paris in 2012] and nobody gets bored, people only get more excited. <i>Paris<\/i> was a different monster. Every time the song played back, they got more excited.<\/span><\/p>\n<hr \/>\n<h6 class=\"p2\"><b>What was it like working with Jay-Z and Kanye on <i>Watch The Throne<\/i>?<\/b><\/h6>\n<p class=\"p2\">That was something I never really saw coming. Before I was even making beats, I had a little radio and a shoebox full of CDs and I would play their music over and over, studying that shit, listening to it.<\/p>\n<p class=\"p3\">But I\u2019ve got so much game, so much information and so much high-level intelligence, if I apply that shit, I\u2019m going to go to that same stratosphere.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>What did you learn from working in-house with Kanye?<\/b><\/h6>\n<p class=\"p2\">Man, just how intense this shit can be, how you\u2019ve got to go extra hard. He\u2019s going too hard now, but, back then, when he was really focused and doing his thing, when he applies that same intensity in a proper manner, that\u2019s why you get those great albums and great songs and stuff that pushes the envelope. You\u2019ve got to really dial in.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Are you still in touch?<\/b><\/h6>\n<p class=\"p2\">Nah, man. And it\u2019s crazy because we used to bump heads a lot and I\u2019d be taking it mad personal thinking like, \u2018Damn, what\u2019s wrong with me?\u2019 While now, this guy doesn\u2019t get along with too many people at all! I thought it was personal to me, but nah, he is just a certain type of guy.<\/p>\n<p class=\"p3\">I don\u2019t talk to him, but I don\u2019t have nothing against him. Shit, he gave me great opportunities, I was able to take it to new heights, so it\u2019s all love on my side.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>You also worked with both Kendrick and Drake. Where do you stand on the beef?<\/b><\/h6>\n<p class=\"p2\">I watched both of them come up, I met Drake in \u201807 and Kendrick maybe in 2009, 2010. I watched both of them become superstars. It is what it is. I ride for Kendrick for sure, and I\u2019ll just leave it at that.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>You have a reputation for constantly updating your sound \u2013 how do you keep that up?<\/b><\/h6>\n<p class=\"p2\">Just reinventing myself all the time. People are always looking for fresh sounds and that\u2019s what I\u2019m always trying to push myself towards, so they gravitate to me.<\/p>\n<p class=\"p3\"><span class=\"s1\">I had a moment where I tried to make stuff in that same <i>Ni**as In Paris<\/i> vein. I ended up making <i>Bow Down\/I Been On<\/i> for Beyonc\u00e9 and that was in that vein, just a little wackier, but she\u2019s still performing that joint, it\u2019s an exciting moment in her concert.<\/span><\/p>\n<p class=\"p3\">So I dabbled in it, but I realized that\u2019s not what I do. I\u2019m an originator, I\u2019ve got to come fresh every time.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Do you always know when you\u2019ve made a game-changing record?<\/b><\/h6>\n<p class=\"p2\"><span class=\"s1\">Not really. I just cook. If it\u2019s exciting to me and it sparks with the artist, that\u2019s a W already \u2013 wherever it goes from there, let\u2019s get it.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">But you can never really call it \u2013 there\u2019ll be songs you think are going to blow up and they don\u2019t, and then the ones where you think, \u2018This is whatever\u2019 \u2013 and it goes crazy. <\/span><\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Is it very different working with a <\/b><b>hip-hop legend like Nas versus a pop artist like Ariana?<\/b><\/h6>\n<p class=\"p2\">It\u2019s different, but it\u2019s similar, it\u2019s just getting ideas down and dialling in what the sound needs to be. It\u2019s all just creating at the end of the day.<\/p>\n<p class=\"p3\">I started with J-Lo man, I always just look at it as music. I\u2019m not pop, hip-hop, R&amp;B or whatever, I just make beats. However they land, they land.<\/p>\n<hr \/>\n<h6 class=\"p2\"><span class=\"s2\"><b>A lot of people have talked about hip-hop becoming less dominant on the charts. Where do you think it\u2019s at as a genre?<\/b><\/span><\/h6>\n<p class=\"p2\">It\u2019s in a place where whoever does something out of the box and it connects, it\u2019s going to be a good time for them.<\/p>\n<p class=\"p3\">There\u2019s a lot of good music out there too, but the excitement hasn\u2019t been there for a minute, where there\u2019s something unbelievably undeniable. Somebody\u2019s got to come up with it, so that\u2019s an opportunity.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>Are there other genres you\u2019d like to work in?<\/b><\/h6>\n<p class=\"p2\">Yeah, I\u2019m down. I worked on <i>Texas Hold \u2018Em<\/i>, so I\u2019m locked in with the country already, I\u2019m down to have more.<\/p>\n<hr \/>\n<div class=\"mb-embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/238Z4YaAr1g?si=Gfx2b0j1W_D07bvH\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p class=\"p3\">I\u2019ve been on Beyonc\u00e9\u2019s last few albums. She always includes me in some type of way \u2013 she\u2019s dope as hell for that, and I\u2019m appreciative. I tell people that shit is like hitting the lottery because [she does] every genre \u2013 rock, country, R&amp;B, rap; every producer in the world is trying to get her beats. You\u2019ve got to beat out every genre when you\u2019re working with her.<\/p>\n<hr \/>\n<h6 class=\"p2\"><b>How was it making a record with your dad when he got out of jail?<\/b><\/h6>\n<p class=\"p2\">Truly emotional. He\u2019s a real street dude \u2013 people say that [about other people], but his picture should be right there in the dictionary. He\u2019s a serious guy in the streets.<\/p>\n<p class=\"p3\">I wanted to help break that mould and it was going good, but he couldn\u2019t get out of his [own] ways, he got caught up in some stuff that was out of my control at that point.<\/p>\n<hr \/>\n<figure id=\"attachment_254809\" class=\"wp-caption aligncenter\"><figure class=\"mbw-articlepic mbw-articlepic--center\"><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1.jpeg\" target=\"_blank\" rel=\"noopener\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1.jpeg\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1.jpeg\" data-lightbox=\"image-set\" data-title=\"\"><img  class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-80x100.jpeg\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-80x100.jpeg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-160x200.jpeg 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-320x400.jpeg 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-418x523.jpeg 418w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-648x810.jpeg 648w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-836x1045.jpeg 836w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/Hit-Boy-\u2013-Press-Photo-05-PC_-Louis-Lee-1-1296x1620.jpeg 1296w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><figcaption class=\"imagecredit\">Credit: Louis Lee<\/figcaption><\/a><\/figure><figcaption class=\"caption wp-caption-text\">Hit-Boy<\/figcaption><\/figure>\n<hr \/>\n<p class=\"p3\"><span class=\"s1\">It\u2019s deep for real, but the music aspect was a good moment \u2013 I\u2019ve been thinking about that since I was a kid like, \u2018When my pops gets out, we\u2019re going to make music, travel the world and do all this shit\u2019 \u2013 and it really was happening, we were everywhere. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">He was in the<em> Not Like Us<\/em> video with Kendrick, YG, all these West Coast legends showing respect to him and really rocking with my Dad. That was a moment man; it was an uphill battle but it was dope and he really started to cut through.<\/span><\/p>\n<hr \/>\n<h6 class=\"p2\"><b>How do you feel about the music industry?<\/b><\/h6>\n<p class=\"p2\">Overall, the game, the industry, is progressed. You see a lot of people getting money that wasn\u2019t available back in the day, like kids streaming like crazy.<\/p>\n<p class=\"p3\">But producers don\u2019t get the recognition and respect that we deserve a lot of the time. We\u2019re literally half of the song, you can\u2019t just remove the beat and play the acapella on the radio. We get disregarded in a lot of ways.<\/p>\n<hr \/>\n<p class=\"p3\"><a class=\"link-external\" href=\"https:\/\/kollectivenr.com\/\" target=\"_blank\" rel=\"noopener\"><figure class=\"mbw-articlepic mbw-articlepic--right\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1.jpg\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1.jpg\" data-lightbox=\"image-set\" data-title=\"\"><img  class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1-80x51.jpg\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1-80x51.jpg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1-160x101.jpg 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1.jpg 320w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><\/figure><em><strong><span style=\"color: #ff6600;\"><span style=\"text-decoration: underline;\">Kollective Neighbouring Rights<\/span> is one of the largest and most efficient neighbouring rights agents in the world. KNR navigates a complex and detailed income stream whilst providing clients with unmatched transparency, monthly accounting and flexible statement solutions.<\/span><\/strong><\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chauncey Alexander Hollis Jr., aka Hit-Boy, has worked with hip-hop\u2019s biggest superstars, from Travis Scott and Drake, to Jay Z &#038; Kanye West. He tells MBW about his career to date, his vision for the future and embracing AI\u2026<\/p>\n","protected":false},"author":29,"featured_media":254808,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[119500],"class_list":["post-254806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-worlds-greatest-producers"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/254806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/comments?post=254806"}],"version-history":[{"count":8,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/254806\/revisions"}],"predecessor-version":[{"id":254881,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/254806\/revisions\/254881"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media\/254808"}],"wp:attachment":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media?parent=254806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/categories?post=254806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/tags?post=254806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}