{"id":254733,"date":"2026-04-07T16:41:19","date_gmt":"2026-04-07T15:41:19","guid":{"rendered":"https:\/\/www.musicbusinessworldwide.com\/?p=254733"},"modified":"2026-04-07T16:47:50","modified_gmt":"2026-04-07T15:47:50","slug":"selling-a-3b-spotify-stake-michael-ovitz-as-chairman-of-the-board-and-a-100b-company-welcome-to-bill-ackmans-plan-for-universal-music-group","status":"publish","type":"post","link":"https:\/\/www.musicbusinessworldwide.com\/selling-a-3b-spotify-stake-michael-ovitz-as-chairman-of-the-board-and-a-100b-company-welcome-to-bill-ackmans-plan-for-universal-music-group\/","title":{"rendered":"Selling a $3B Spotify stake, Michael Ovitz as Chairman of the Board, and a $100B+ company: Welcome to Bill Ackman&#8217;s plan for Universal Music Group."},"content":{"rendered":"<em><strong>MBW Reacts is a series of analytical commentaries from <a class=\"link-relationship\" style=\"background: 0px 0px; color: unset !important; text-decoration: none; border-bottom: 1px dashed #ff7d00;\" title=\"Companies &gt; Music Business Worldwide [247 articles]\" href=\"https:\/\/www.musicbusinessworldwide.com\/companies\/music-business-worldwide-2\/\">Music Business Worldwide<\/a> written in response to major recent entertainment events or news stories. Only <a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/mbw-plus\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ff6600;\">MBW+ subscribers<\/span><\/a> have unlimited access to these articles. The below originally appeared in Tim Ingham\u2019s latest \u2018Tim\u2019s Take\u2019 email, issued exclusively to MBW+ subscribers.<\/strong><\/em>\n<hr \/>\n<p class=\"mcePastedContent\"><strong>David Ellison<\/strong>\u00a0has his New Paramount. Now\u00a0<strong>Bill Ackman<\/strong>\u00a0wants his New UMG.<\/p>\n<p class=\"mcePastedContent\">That&#8217;s not just a turn of phrase.<\/p>\n<p class=\"mcePastedContent\">\u2018New UMG\u2019 is what\u00a0<strong>Ackman<\/strong>\u00a0literally calls his proposed restructured Universal Music Group \u2013 apparently taking a page from\u00a0<strong>Ellison<\/strong>&#8216;s playbook. (When\u00a0<strong>Skydance<\/strong>\u00a0completed its takeover of\u00a0<strong>Paramount<\/strong>\u00a0last year, it dubbed the combined company\u00a0<a href=\"https:\/\/www.paramount.com\/press\/skydance-media-and-paramount-global-complete-merger-creating-next-generation-media-company\" target=\"_blank\" rel=\"noopener\">\u2018New Paramount\u2019<\/a>\u00a0during the deal process.)<\/p>\n<p class=\"mcePastedContent\"><strong>Ackman<\/strong>&#8216;s proposal to acquire\u00a0<strong>Universal Music Group<\/strong>\u00a0landed with the music company&#8217;s board this morning (April 7). Whether it goes anywhere is another matter.<\/p>\n<p class=\"mcePastedContent\">The\u00a0<strong>Pershing Square<\/strong>\u00a0proposal is non-binding,\u00a0<strong>UMG<\/strong>&#8216;s board hasn&#8217;t approved it, and the path to closing \u2014 requiring a two-thirds shareholder vote, regulatory sign-off, and a new employment deal for\u00a0<strong>Sir Lucian Grainge<\/strong>\u00a0\u2014 is a long one.<\/p>\n<p class=\"mcePastedContent\">But the more immediate question may be what\u00a0<strong>Ackman<\/strong>&#8216;s move does to the market for\u00a0<strong>UMG<\/strong>\u00a0itself.<\/p>\n<p class=\"mcePastedContent\">Could it invite competing proposals?\u00a0<strong>Bollor\u00e9 Group<\/strong>, sitting on an\u00a0<strong>18%<\/strong>\u00a0stake in UMG, has its own calculations to make. Might the likes of<strong>\u00a0Blackstone<\/strong>\u00a0or\u00a0<strong>Apollo<\/strong>\u00a0\u2014 who\u00a0<a href=\"https:\/\/www.musicbusinessworldwide.com\/sony-to-form-2bn-music-rights-acquisition-jv-with-singapores-gic-pte-sovereign-wealth-fund-report\/\" target=\"_blank\" rel=\"noopener\">have themselves committed billions to music assets<\/a>\u00a0in recent years \u2014 also now see a window?<\/p>\n<p class=\"mcePastedContent\">Few in the music biz will dispute\u00a0<strong>Ackman&#8217;s<\/strong>\u00a0central logic when he says that \u201cUMG\u2019s stock price has languished due to a combination of issues that are\u00a0<strong>unrelated to the performance of its music business<\/strong>\u201d.<\/p>\n<p class=\"mcePastedContent\"><strong>UMG<\/strong>&#8216;s share price has fallen by\u00a0<strong>30%+<\/strong>\u00a0over the past year. Ahead of today\u2019s news, that valued Universal at approximately\u00a0<strong>EUR \u20ac31 billion (USD $36 billion)<\/strong>\u00a0\u2014 roughly\u00a0<strong>11 times<\/strong>\u00a0its\u00a0<strong>2025<\/strong>\u00a0adjusted EBITDA.<\/p>\n<p class=\"mcePastedContent\">Premium music catalog assets regularly change hands at\u00a0<strong>high-teens<\/strong>\u00a0to\u00a0<strong>20<\/strong>-plus times EBITDA multiples on the private market.<\/p>\n<p class=\"mcePastedContent\">The world&#8217;s largest music company,\u00a0<strong>Ackman<\/strong>\u00a0argues, is not currently being valued like one \u2013 and he has a point.<\/p>\n<p class=\"mcePastedContent\"><strong>MBW<\/strong>\u00a0covered the\u00a0<a href=\"https:\/\/www.musicbusinessworldwide.com\/bill-ackmans-pershing-square-bids-to-buy-universal-music-group-in-64-billion-deal\/\" target=\"_blank\" rel=\"noopener\">headline terms<\/a>\u00a0of\u00a0<strong>Ackman<\/strong>&#8216;s takeover proposal here \u2013 but a\u00a0<a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/PershingSquareLetter-1.pdf\" target=\"_blank\" rel=\"noopener\">more in-depth letter<\/a>\u00a0from\u00a0<strong>Pershing Square<\/strong>\u00a0to\u00a0<strong>UMG<\/strong>&#8216;s board of directors reveals some important additional details.<\/p>\n<p class=\"mcePastedContent\">Here are three of them&#8230;<\/p>\n<hr \/>\n<h6><strong>1. This deal would finally trigger the sale of UMG&#8217;s $3B+ Spotify stake \u2014 and artists would get up to \u20ac750 million ($866 million).<\/strong><\/h6>\n<p class=\"mcePastedContent\"><strong>UMG<\/strong>\u00a0first acquired equity in\u00a0<strong>Spotify<\/strong>\u00a0at the streaming platform&#8217;s launch in\u00a0<strong>2008<\/strong>. In the years since, as\u00a0<strong>Spotify<\/strong>\u00a0has grown into a company worth tens of billions of dollars,\u00a0<strong>UMG<\/strong>\u00a0has held onto every share.<\/p>\n<p class=\"mcePastedContent\">That changes under\u00a0<strong>Ackman<\/strong>&#8216;s proposal.<\/p>\n<p class=\"mcePastedContent\">The\u00a0<strong>Pershing Square<\/strong>\u00a0letter confirms that\u00a0<strong>\u20ac1.5 billion<\/strong>\u00a0(<strong>$1.7 billion<\/strong>) in net proceeds from the monetization of\u00a0<strong>UMG<\/strong>&#8216;s\u00a0<strong>\u20ac2.7 billion<\/strong>\u00a0(<strong>$3.1 billion<\/strong>)\u00a0<strong>Spotify<\/strong>\u00a0stake \u2014 &#8220;after taxes and net of the artists&#8217; share of\u00a0<strong>Spotify<\/strong>\u00a0proceeds&#8221; \u2014 will be used to fund the cash consideration of the bid. The stake will be &#8220;sold in the market or in a block transaction.&#8221;<\/p>\n<p class=\"mcePastedContent\">For\u00a0<strong>UMG<\/strong>&#8216;s artists, the implications are direct. The letter states that &#8220;artists will also benefit from the Transaction by receiving up to\u00a0<strong>\u20ac750 million<\/strong>\u00a0(<strong>$866 million<\/strong>) in proceeds from the sale of\u00a0<strong>Spotify<\/strong>\u00a0shares.&#8221;<\/p>\n<p class=\"mcePastedContent\">That commitment has a history.<\/p>\n<p class=\"mcePastedContent\">In\u00a0<strong>2018<\/strong>,\u00a0<a href=\"https:\/\/www.musicbusinessworldwide.com\/universal-will-ignore-artists-unrecouped-balances-when-it-pays-out-spotify-share-money-thanks-to-taylor-swift\/\" target=\"_blank\" rel=\"noopener\">as part of a new deal with\u00a0<strong>Taylor Swift<\/strong><\/a>,\u00a0<strong>UMG<\/strong>\u00a0confirmed it would distribute any\u00a0<strong>Spotify<\/strong>\u00a0sale proceeds to artists on a non-recoupable basis \u2014 meaning artists would receive their share regardless of any outstanding unrecouped advances.<\/p>\n<p class=\"mcePastedContent\"><strong>Swift<\/strong>\u00a0wrote on\u00a0<strong>Instagram<\/strong>\u00a0at the time that she had asked\u00a0<strong>UMG<\/strong>\u00a0to ensure &#8220;any sale of their\u00a0<strong>Spotify<\/strong>\u00a0shares result in a distribution of money to their artists, non-recoupable.&#8221;<\/p>\n<p class=\"mcePastedContent last-child\">The major agreed.<\/p>\n<hr \/>\n<h6><strong>2. Ackman wants Michael Ovitz as UMG&#8217;s Chairman of the Board \u2014 citing a 40-year relationship with Sir Lucian Grainge.<\/strong><\/h6>\n<p class=\"mcePastedContent\">Under\u00a0<strong>Ackman<\/strong>&#8216;s proposal, <strong>UMG<\/strong>&#8216;s board &#8220;will be refreshed to include\u00a0<strong>Michael Ovitz<\/strong>\u00a0as Chairman and two representatives from\u00a0<strong>Pershing Square<\/strong>\u00a0in addition to members from the current\u00a0<strong>UMG<\/strong>\u00a0board&#8221;.<\/p>\n<p>As such, Ovitz would presumably succeed <strong>Sherry Lansing<\/strong>, the current Chair of UMG&#8217;s board.<\/p>\n<p><strong>Ovitz<\/strong>\u00a0co-founded\u00a0<strong>Creative Artists Agency<\/strong>\u00a0in\u00a0<strong>1975<\/strong>\u00a0and served as its Chairman until\u00a0<strong>1995<\/strong>, building the agency into what\u00a0<strong>Pershing Square<\/strong>\u00a0describes as the world&#8217;s leading talent agency. He subsequently served as President of\u00a0<strong>The Walt Disney Company<\/strong>\u00a0from\u00a0<strong>1995<\/strong>\u00a0to\u00a0<strong>1997<\/strong>.<\/p>\n<p><strong>Ackman<\/strong>\u00a0notes that\u00a0<strong>Ovitz<\/strong>\u00a0&#8220;has a\u00a0<strong>40-year<\/strong>\u00a0relationship with\u00a0<strong>Sir Lucian Grainge<\/strong>&#8220;, and describes Ovitz as &#8220;one of the most recognized global entertainment executives, having represented many of the most important and iconic music, film, and entertainment acts in the world.&#8221;<\/p>\n<p>&#8220;Since UMG&#8217;s listing,\u00a0<strong>Sir Lucian Grainge<\/strong>\u00a0and the company&#8217;s management have done an excellent job nurturing and continuing to build a world-class artist roster and generating strong business performance,&#8221;\u00a0<a href=\"https:\/\/www.musicbusinessworldwide.com\/bill-ackmans-pershing-square-bids-to-buy-universal-music-group-in-64-billion-deal\/\" target=\"_blank\" rel=\"noopener\">added Ackman today<\/a> \u2013 a telling personal compliment for UMG&#8217;s long-term boss.<\/p>\n<p><strong>Ovitz<\/strong>\u00a0is currently a director of\u00a0<strong>Pershing Square SPARC Holdings, Ltd.<\/strong>, the acquisition vehicle through which the transaction would be structured.<\/p>\n<hr \/>\n<h6><strong>3. \u2018New UMG\u2019 could be worth over USD $100 billion by 2031. It was valued at $36 billion last week.<\/strong><\/h6>\n<p>The\u00a0<a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/PershingSquareLetter-1.pdf\" target=\"_blank\" rel=\"noopener\">Pershing Square board letter<\/a>\u00a0includes a detailed\u00a0<strong>five-year valuation model<\/strong> for UMG \u2014 and the headline numbers are striking<\/p>\n<p><strong>UMG<\/strong>\u00a0carried a market cap of approximately\u00a0<strong>EUR \u20ac31 billion (USD $36 billion)<\/strong>\u00a0before today\u2019s news, reflecting a share price that has fallen by around a third over the past year.<\/p>\n<p>Ackman argues this public valuation is\u00a0<strong>deeply wrong\u00a0<\/strong>\u2014 and that the structural issues his proposal is designed to fix are all that stand between UMG and a\u00a0<strong>significant re-rating<\/strong>\u00a0by investors.<\/p>\n<p>By year-end 2026 \u2014 roughly when\u00a0<strong>Ackman<\/strong>\u00a0expects his deal could close \u2014 Pershing Square projects \u2018New UMG&#8217;s\u2019 share price could reach EUR \u20ac32.90, a\u00a0<strong>92% premium<\/strong>\u00a0vs. UMG&#8217;s April 2nd closing price of \u20ac17.11.<\/p>\n<p>Based on the 1.541 billion shares that\u00a0<strong>\u2018New UMG\u2019\u00a0<\/strong>would have outstanding post-transaction, this implies a market cap of approximately\u00a0<strong>\u20ac51 billion ($58.5 billion)<\/strong>\u00a0by the end of this year.<\/p>\n<p>Continuing the logic,\u00a0<strong>Ackman\u00a0<\/strong>projects that \u2018New UMG&#8217;s\u2019 share price could reach EUR \u20ac71 by year-end 2031 \u2013 more than four times its share price last week.<\/p>\n<p>Applied to the same post-transaction share count, that implies a market cap of approximately <strong>\u20ac109 billion ($126 billion)\u00a0<\/strong>by 2031.<\/p>\n<p>(In practice, the share count would shrink thanks to the buyback program at the heart of\u00a0<strong>Ackman&#8217;s proposal<\/strong>, meaning the actual 2031 market cap would be lower, but the per-share value for remaining investors would be higher. My market cap figures here are illustrative.<\/p>\n<p>In Ackman&#8217;s mind, UMG&#8217;s growing earnings could combine with a\u00a0<strong>NYSE listing<\/strong>\u00a0that would attract a new pool of institutional investors currently unable to buy a European-listed stock.<\/p>\n<hr \/>\n<p class=\"mcePastedContent last-child\"><figure class=\"mbw-articlepic mbw-articlepic--center\"><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing.png\" target=\"_blank\" rel=\"noopener\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing.png\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing.png\" data-lightbox=\"image-set\" data-title=\"\"><img  class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-80x44.png\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-80x44.png 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-160x89.png 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-320x178.png 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-418x232.png 418w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-648x360.png 648w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-836x464.png 836w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/04\/pershing-1296x720.png 1296w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><\/a><\/figure><\/p>\n<hr \/>\n<p class=\"mcePastedContent\">Central to\u00a0<strong>Ackman\u2019s projection<\/strong>\u00a0is a new approach to capital.<\/p>\n<p class=\"mcePastedContent\">Rather than paying out\u00a0<strong>50%<\/strong>\u00a0of net income as dividends \u2014\u00a0<strong>UMG<\/strong>&#8216;s current policy \u2014 \u2018<strong>New UMG\u2019<\/strong>\u00a0would redirect surplus free cash flow toward buying back its own shares, a strategy that typically drives a company&#8217;s value higher over time.<\/p>\n<p class=\"mcePastedContent\"><strong>Pershing Square<\/strong>\u00a0estimates\u00a0<strong>New UMG<\/strong>\u00a0will generate approximately\u00a0<strong>\u20ac15 billion<\/strong>\u00a0(<strong>$17.3 billion<\/strong>) in total cash over the next five years available for acquisitions and buybacks \u2013 roughly half the company&#8217;s entire market cap today.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MBW founder Tim Ingham on telling details within Pershing Square&#8217;s proposal for a new Universal Music Group<\/p>\n","protected":false},"author":3,"featured_media":254735,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[130318],"class_list":["post-254733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analysis","tag-mbw-reacts"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/254733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/comments?post=254733"}],"version-history":[{"count":4,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/254733\/revisions"}],"predecessor-version":[{"id":254740,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/254733\/revisions\/254740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media\/254735"}],"wp:attachment":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media?parent=254733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/categories?post=254733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/tags?post=254733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}