{"id":248157,"date":"2026-01-08T17:11:10","date_gmt":"2026-01-08T17:11:10","guid":{"rendered":"https:\/\/www.musicbusinessworldwide.com\/?p=248157"},"modified":"2026-01-22T16:33:09","modified_gmt":"2026-01-22T16:33:09","slug":"sir-lucian-grainge-talks-ai-music-superfans-in-2026-memo-taking-swipe-at-firms-validating-business-models-that-fail-to-respect-artists-work","status":"publish","type":"post","link":"https:\/\/www.musicbusinessworldwide.com\/sir-lucian-grainge-talks-ai-music-superfans-in-2026-memo-taking-swipe-at-firms-validating-business-models-that-fail-to-respect-artists-work\/","title":{"rendered":"Sir Lucian Grainge talks AI music, superfans in 2026 memo, taking swipe at firms &#8216;validating business models that fail to respect artists\u2019 work&#8217;"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Universal Music Group Chairman and CEO Sir Lucian Grainge has issued a stark warning about &#8220;irresponsible business models&#8221; in AI music, declaring that UMG will not tolerate deals that &#8220;devalue artists&#8221; and &#8220;promote the exponential growth of AI slop on streaming platforms.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The comments appear in <strong>Grainge&#8217;s<\/strong> annual New Year memo to UMG staff, sent earlier today (January 8) and obtained by <strong>MBW<\/strong>, in which he celebrates a successful 2025 for the world&#8217;s biggest music rights company and its artists, while outlining strategic priorities for 2026.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;Validating business models that fail to respect artists&#8217; work and creativity, and promote the exponential growth of AI slop on streaming platforms, is a grave disservice to artists, songwriters and all of us who work in music,&#8221; writes <strong>Grainge<\/strong>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;Let me be clear: UMG will not stand by and watch irresponsible business models take hold, models that devalue artists, fail to provide adequate compensation for their work, stifle their creativity and ultimately, diminish their ability to reach fans.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Notably, Grainge&#8217;s pointed language on this topic comes as UMG continues active litigation against AI music generator <strong>Suno, <\/strong>a company with which rival <strong>Warner Music Group<\/strong> <a href=\"https:\/\/www.musicbusinessworldwide.com\/warner-music-group-settles-with-suno-strikes-first-of-its-kind-deal-with-ai-song-generator\/\" target=\"_blank\" rel=\"noopener\">settled<\/a> and struck a licensing deal in November 2025.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">(Sony Music, Germany&#8217;s GEMA, and Denmark&#8217;s Koda are all also actively suing Suno.)<\/p>\n<blockquote>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>&#8220;LET ME BE CLEAR: UMG WILL NOT STAND BY AND WATCH IRRESPONSIBLE BUSINESS MODELS TAKE HOLD\u2014MODELS THAT DEVALUE ARTISTS, FAIL TO PROVIDE ADEQUATE COMPENSATION FOR THEIR WORK, STIFLE THEIR CREATIVITY AND ULTIMATELY, DIMINISH THEIR ABILITY TO REACH FANS.&#8221;<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"color: #000000;\">SIR LUCIAN GRAINGE, UMG<\/span><\/p>\n<\/blockquote>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">In the memo, <strong>Grainge<\/strong> positions UMG&#8217;s own AI strategy between what he characterizes as two &#8220;equally flawed&#8221; extremes: those who believe there should be no engagement with AI, and those who think &#8220;we should acquiesce to accepting whatever AI models are released, regardless of their ethicality.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;When it comes to new technology, we engage, adapt and innovate,&#8221; he writes, citing decades of technological change in the music industry, &#8220;from the player-piano to the phonogram to radio to vinyl, cassette, MP3, downloads, ad-funded streaming into premium subscription&#8221;.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;At the same time, that approach must be thoughtful, strategic, commercial and nuanced,&#8221; <strong>Grainge<\/strong> adds.<\/p>\n<p class=\"p1\">      <div class=\"mb-advert__incontent\">      <div class=\"mb-advert mb-advert__tweeny hidden-xs hidden-ms hidden-sm\" data-loaded=\"no\" data-sizes=\"992 1200 1440\" data-name=\"628x90 Sponsor banner #5 (992+1200+1440)\" data-params=\"dfp_sponsor5_628\" id=\"dfp_sponsor5_628\"><\/div>      <div class=\"mb-advert mb-advert__banner mb-advert__banner--inline hidden-xs hidden-sm hidden-md hidden-lg\" data-loaded=\"no\" data-sizes=\"480\" data-name=\"468x60 Sponsor banner #5 (480)\" data-params=\"dfp_sponsor5_468\" id=\"dfp_sponsor5_468\"><\/div>      <div class=\"mb-advert mb-advert__mobile mb-advert__mobile--inline hidden-ms hidden-md hidden-lg\" data-loaded=\"no\" data-sizes=\"320 768\" data-name=\"300x50 Sponsor banner #5 (320+768)\" data-params=\"dfp_sponsor5_300\" id=\"dfp_sponsor5_300\"><\/div>      <\/div>      <\/p>\n<h6>AI PARTNERSHIPS AND NVIDIA ALLIANCE<\/h6>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The memo follows UMG&#8217;s <a class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.musicbusinessworldwide.com\/umgs-latest-major-ai-partnership-arrives-via-tech-giant-nvidia-with-promise-of-antidote-to-generic-ai-slop\/\">recent announcement<\/a> of a strategic partnership with AI computing giant <strong>NVIDIA<\/strong>, which <strong>Grainge<\/strong> describes as &#8220;first-of-its-kind&#8221; and aimed at fundamentally transforming &#8220;music discovery and fan engagement.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Grainge<\/strong> notes that UMG became &#8220;the first media company to enter into AI-related agreements with established platforms such as YouTube, Meta, TikTok, and KDDI as well as with emerging AI entrepreneurs such as Udio, BandLab, Soundlabs, KLAY Vision, <a href=\"https:\/\/www.musicbusinessworldwide.com\/umg-and-splice-strike-deal-to-collaborate-on-next-generation-ai-music-creation-tools\/\" target=\"_blank\" rel=\"noopener\">Splice<\/a> and <a href=\"https:\/\/www.musicbusinessworldwide.com\/umg-strikes-strategic-alliance-with-stability-ai-to-develop-next-generation-ai-music-making-tools\/\" target=\"_blank\" rel=\"noopener\">Stability AI&#8221;<\/a> in 2025.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;With all of our agreements, we have simultaneously protected artists and songwriters and human creativity, spawned a new wave of creative innovation in music and developed new revenue streams and commercial opportunities,&#8221; he writes.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The memo emphasizes that UMG&#8217;s AI partnerships &#8220;place artists at the center of everything we do,&#8221; with NVIDIA quoted as saying the collaboration will proceed &#8220;responsibly, with safeguards that protect artists&#8217; work, ensure attribution, and respect copyright.&#8221;<\/p>\n<p class=\"p1\">      <div class=\"mb-advert__incontent\">      <div class=\"mb-advert mb-advert__spu\" data-loaded=\"no\" data-name=\"300x250 Sponsor MPU #1\" data-params=\"dfp_spu1\" id=\"dfp_spu1\"><\/div>      <\/div>      <\/p>\n<h6>STREAMING 2.0 AND ARTIST-CENTRIC<\/h6>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The memo also highlights progress on <a href=\"https:\/\/www.musicbusinessworldwide.com\/read-sir-lucian-grainges-2025-memo-to-universal-music-group-staff-the-streaming-2-0-era-has-arrived1\/\" target=\"_blank\" rel=\"noopener\">UMG&#8217;s <strong>Streaming 2.0<\/strong> <\/a>initiative, with deals implemented with Amazon, Spotify and YouTube in 2025, and more agreements expected in 2026.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Grainge<\/strong> credits the company&#8217;s <strong>Artist-Centric<\/strong> initiative, launched three years ago, with accurately predicting &#8220;the dramatic increase in the volume of irrelevant uploads, including the rise of AI &#8216;slop.'&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;This ability to see around corners enabled us to anticipate this trend and protect our artists and songwriters by preemptively placing provisions in our agreements with DSPs that prevent AI slop from being counted in the same royalty pools as our artists and songwriters,&#8221; he writes.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Grainge<\/strong> confirms that these initiatives delivered on commitments outlined at UMG&#8217;s <a href=\"https:\/\/www.musicbusinessworldwide.com\/read-sir-lucian-grainges-universal-music-capital-markets-day-opening-address-in-full-streaming-will-continue\/\" target=\"_blank\" rel=\"noopener\">Capital Markets Day<\/a> in September 2024, demonstrating the company&#8217;s &#8220;capability to effectively develop, harness and adapt strategies to the benefit of the entire music ecosystem.&#8221;<\/p>\n<p class=\"p1\">      <div class=\"mb-advert__incontent\">      <div class=\"mb-advert mb-advert__spu\" data-loaded=\"no\" data-name=\"300x250 Sponsor MPU #2\" data-params=\"dfp_spu2\" id=\"dfp_spu2\"><\/div>      <\/div>      <\/p>\n<h6>2026 PRIORITIES: SUPERFANS, DOWNTOWN, GLOBAL EXPANSION<\/h6>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Looking ahead, <strong>Grainge<\/strong> outlines several strategic priorities for 2026.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Superfans and retail expansion:<\/strong> A key focus will be serving superfans through &#8220;enhanced premium tiers&#8221; with DSP partners and emerging platforms focused on &#8220;special events and products for superfans, both virtually and in the physical world.&#8221;<\/p>\n<p><em>&#8220;<\/em>In 2026 we will accelerate these efforts both by working with our established DSP partners on the launch of enhanced premium tiers for superfans, as well as by working with emerging platforms that are focused on special events and products for superfans, both virtually and in the physical world,&#8221; writes Grainge.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">He also notes that UMG has &#8220;recently established a portfolio of retail stores in <a href=\"https:\/\/www.musicbusinessworldwide.com\/rolling-stones-fans-hackney-diamonds-universal-music-japan-tokyouniversal-music-just-opened-a-retail-superstore-in-tokyo-dedicated-to-serving-music-super-fans\/\" target=\"_blank\" rel=\"noopener\">Tokyo<\/a>, <a href=\"https:\/\/www.musicbusinessworldwide.com\/hola-superfans-universal-music-group-opens-its-own-retail-store-inside-umusic-hotel-in-madrid\/\" target=\"_blank\" rel=\"noopener\">Madrid<\/a>, <a href=\"https:\/\/www.musicbusinessworldwide.com\/universal-music-group-expands-global-portfolio-of-superfan-retail-stores-with-new-shop-locations-in-new-york-and-london\/\" target=\"_blank\" rel=\"noopener\">New York and London<\/a> as a complement to our growing D2C business.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The company plans to scale this activity in 2026, &#8220;including the expansion of our experiential hospitality strategy and seamless integrations between virtual and IRL events for superfans.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"margin: 0px; padding: 0px;\"><strong>Independent services:<\/strong> A section of the memo is dedicated to services for independent labels.<\/span>\u00a0&#8220;It&#8217;s no secret that much of our company&#8217;s success is powered by our entrepreneurial culture and decentralized structure, so identifying and partnering with like-minded leaders and entrepreneurs will only help ensure our continued future success,&#8221; Grainge writes.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><span style=\"margin: 0px; padding: 0px;\">The memo also references the &#8220;anticipated closing&#8221; of UMG&#8217;s proposed $775 million acquisition of Downtown Music, which is currently <a href=\"https:\/\/www.musicbusinessworldwide.com\/umg-proposes-selling-curve-to-secure-eu-approval-for-775m-downtown-deal\/\" target=\"_blank\" rel=\"noopener\">being assessed<\/a> by the European Commission. (UMG has proposed divesting Downtown\u2019s Curve royalty accounting business to address EC concerns over the deal. The EC has until February 27 to make a decision).<\/span><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">&#8220;With the anticipated closing of our acquisition of Downtown Music, and by continuing to broaden our independent partner portfolio, we want to accelerate our efforts in providing best-in-class services to both independent entrepreneurs and labels,&#8221; says Grainge.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Global expansion:<\/strong> UMG will &#8220;continue to broaden our global presence in fast-growing markets through organic A&amp;R within our growing network of local labels, as well as through partnerships and acquisitions of dynamic music companies in Africa, China, India and Southeast Asia.&#8221;<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Grainge<\/strong> highlighted the recent news that <strong>Universal Music India<\/strong> has become a <a href=\"https:\/\/www.musicbusinessworldwide.com\/universal-music-buys-30-stake-in-indias-excel-entertainment-valuing-bollywood-production-house-at-267m\/\" target=\"_blank\" rel=\"noopener\">significant minority shareholder<\/a> in <strong>Excel Entertainment<\/strong>, &#8220;a leading Indian film and digital content studio,&#8221; expanding opportunities for Indian artists and strengthening UMG&#8217;s position in original soundtracks.<\/p>\n<p>You can read his note in full below:<\/p>\n<hr \/>\n<p><em>Dear Colleagues:<\/em><\/p>\n<p><em>Happy New Year!\u00a0\u00a0I hope you all had a great holiday season with your loved ones and friends.\u00a0\u00a0And welcome back to what I anticipate will be another exciting and historic year for all of us.<\/em><\/p>\n<p><em>To give you some context as to why I think 2026 looks so promising, I\u2019ll briefly describe for you the major\u00a0opportunities we will be pursuing. \u00a0As I like to do this time of year, let\u2019s take a look back at the last year to celebrate our artists and the incredible accomplishments we worked tirelessly to help them achieve, and to highlight some of the significant strategic advances we made last year in AI, our ongoing commitment to Streaming 2.0 and the contributions we collectively made with our Global Impact Team.<\/em><\/p>\n<p><em><b><u>Artists\u2019 Achievements<\/u><\/b>:<\/em><\/p>\n<p><em>Our single greatest\u00a0investment every year is our investment into artists and the infrastructure we build to support them and amplify their creativity.\u00a0\u00a0By combining talent, expertise, and long-term vision, our foundation of artist development consistently delivers lasting success.\u00a0\u00a0In 2025, once again, that success was on full display.\u00a0\u00a0The list of our artists and songwriters\u2019 remarkable performances last year is so long that I had to detail it in a section at the end of this note given there are just so many deserved acknowledgements!<\/em><\/p>\n<p><em>For now, though, here are just a handful of the global highlights:<\/em><\/p>\n<ul><li><em>On\u00a0<b>Spotify<\/b>: we had\u00a0<u>four of the Top 5 Artists<\/u>\u00a0(Taylor Swift, The Weeknd, Drake and Billie Eilish);\u00a0<u>six of the Top 10 Albums and three of the Top 5<\/u>\u00a0(KPop Demon Hunters Soundtrack, Billie Eilish\u00a0HIT ME HARD AND SOFT, and Sabrina Carpenter\u00a0Short n\u2019 Sweet)<u>;<\/u>\u00a0\u00a0and\u00a0<u>six of the Top 10 Songs<\/u>\u00a0(with Lady Gaga &amp; Bruno Mars \u201cDie With A Smile\u201d at No. 1 and Billie Eilish \u201cBIRDS OF A FEATHER\u201d at No. 2). \u00a0<u>Seven of the of the Top 10<\/u>\u00a0Global Artists are UMPG songwriters: Bad Bunny (No. 1), Taylor Swift (No. 2), The Weeknd (No. 3), Drake (No. 4), Billie Eilish (No. 5), Kendrick Lamar (No. 6), and Ariana Grande (No. 8).<\/em><\/li><li><em>On<b>\u00a0Apple Music<\/b>: Our artists had\u00a0<u>seven of the Top 10 Songs<\/u>\u00a0globally, including\u00a0<u>four of the Top 5<\/u>\u00a0(Kendrick Lamar &amp; SZA &#8220;luther&#8221;; Lady Gaga &amp; Bruno Mars &#8220;Die With A Smile&#8221;; Kendrick Lamar &#8220;Not Like Us&#8221;; and Billie Eilish &#8220;BIRDS OF A FEATHER&#8221;).<b>\u00a0<\/b>Drake was the most streamed artist worldwide<b>,\u00a0<\/b>while Morgan Wallen\u2019s\u00a0I\u2019m The Problem\u00a0was the most streamed album. UMPG\u2019s songwriters were represented across\u00a0<u>15 of the Top 20 Songs<\/u>\u00a0globally,\u00a0including \u201cAPT.\u201d from ROS\u00c9 &amp; Bruno Mars at No. 1, and contributions to\u00a0<u>four of the Top 5<\/u>.<\/em><\/li><li><em>On\u00a0<b>Amazon Music<\/b>: UMG had\u00a0<u>all of the Top 5 Albums<\/u>\u00a0(KPop Demon Hunters, Morgan Wallen\u00a0I\u2019m the Problemand\u00a0One Thing At A Time, Sabrina Carpenter\u00a0Short n\u2019 Sweet,\u00a0\u00a0and Taylor Swift\u00a0The Life of a Showgirl);\u00a0<u>seven of the Top 10 Artists, including the Top 3<\/u>\u00a0(Taylor Swift, Morgan Wallen and Mrs. GREEN APPLE);\u00a0<u>seven of the Top 10 Most Requested Artists on Alexa<\/u>\u00a0(Taylor Swift,\u00a0KPop Demon Hunters\u00a0cast, Morgan Wallen, Lady Gaga, KAROL G, Billie Eilish and Eminem);\u00a0<u>seven of the Top 10 Vinyl Albums<\/u>\u00a0(Taylor Swift\u00a0The Life of a Showgirl, Kendrick Lamar\u00a0GNX, Taylor Swift\u00a0reputation, Gracie Abrams\u00a0The Secret of Us,\u00a0Wicked: The Soundtrack, The Beatles\u00a0Abbey Road\u00a0and The Beatles\u00a0Anthology Collection\u00a0(2025 Remaster).<\/em><\/li><li><em>On\u00a0<b>TikTok<\/b>: \u00a0<u>Global Artist of the Year<\/u>\u00a0(KATSEYE) and seven of the Top 10;\u00a0<u>Track of the Year<\/u>\u00a0(\u201cPretty Little Baby\u201d recorded by Connie Francis in 1962) and four of the Top 5;\u00a0<u>Most-Saved Artist of the Year<\/u>\u00a0(Taylor Swift); and\u00a0<u>Music Trend of the Year<\/u>\u00a0(\u201cAnxiety\u201d by Doechii).<\/em><\/li><li><em>On\u00a0<b>Deezer:<\/b>\u00a0UMG had\u00a0<u>the four Most-Streamed Artists\u00a0<\/u>(Lady Gaga, Taylor Swift, Billie Eilish and The Weeknd);\u00a0<u>nine of the Top 10 Albums<\/u>;\u00a0<u>six of the Top 10 Songs;<\/u>\u00a0and the\u00a0<u>Most-Shared Song Worldwide<\/u>\u00a0(Lola Young\u2019s \u201cMessy\u201d).<\/em><\/li><\/ul>\n<p><em>No other company\u2014in music or any other sector of entertainment\u2014has ever achieved such a level\u00a0of\u00a0success and done so with such consistency.\u00a0\u00a0And it is\u00a0<u>you<\/u>, the UMG team, that drives our historic success, year after year.\u00a0\u00a0I\u2019m so proud of you!<\/em><\/p>\n<p><em><b><u>AI in 2025<\/u><\/b><\/em><\/p>\n<p><em>As we all witnessed, AI became the dominant economic and cultural narrative last year\u2014with the potential to disrupt aspects of many businesses.<\/em><\/p>\n<p><em>While I fundamentally believe AI, deployed responsibly, can be a hugely beneficial commercial and creative driver for UMG and our artists, we cannot overlook the fact that AI\u2019s blossoming ubiquity can also create challenges, particularly from those who act in disregard for the rights of artists, songwriters and other rightsholders. \u00a0Therefore, it\u2019s important that music and artists don\u2019t get lost in a global AI conversation.\u00a0\u00a0The reality is that given the size of our industry compared to others grappling with the massive implications of AI (IT, healthcare, financial services, manufacturing and transportation to name a few)\u2014we have punched way above our weight on the global stage to ensure that the interest of artists and music companies are front and center. \u00a0And we will continue to do so.\u00a0\u00a0The opportunities AI can deliver kept us working tirelessly through the year and my personal commitment to the artist and songwriter community is that, in 2026 and beyond, music will remain central to the AI conversation in terms of technology, public policy and commercial opportunity.<\/em><\/p>\n<p><em>Our proactive strategic approach to harnessing AI led\u00a0UMG to be the first media company to\u00a0enter\u00a0into AI-related agreements with established platforms such as YouTube, Meta, TikTok, and KDDI as well as with emerging AI entrepreneurs such as Udio, BandLab, Soundlabs, KLAY Vision, Splice and Stability AI.<\/em><\/p>\n<p><em>With all of our agreements, we have simultaneously protected artists and songwriters and human creativity,\u00a0spawned a new wave of creative innovation in music\u00a0and\u00a0developed new revenue streams and commercial opportunities.\u00a0\u00a0 The substantial progress we made last year on multiple fronts makes me extremely optimistic about AI\u2019s enormous positive potential in the years ahead.<\/em><\/p>\n<p><em><b><u>Streaming 2.0<\/u><\/b><\/em><\/p>\n<p><em>While our work in AI commanded much of the press\u2019s attention, another important strategic advance of which I\u2019m proud has been our continued progress in reaching \u201cStreaming 2.0\u201d agreements with our DSP partners.\u00a0\u00a0These agreements encourage smarter consumer segmentation, accelerate geographic expansion, create greater consumer value and drive ARPU growth.\u00a0\u00a0In 2025 we implemented Streaming 2.0 deals with Amazon, Spotify and YouTube, and we expect to enter into more such agreements in 2026.\u00a0\u00a0At the same time, three years ago, when we announced our Artist-Centric initiative, we accurately predicted the fact that the dramatic increase in the volume of irrelevant uploads, including the rise of AI \u201cslop,\u201d could overwhelm DSPs.\u00a0\u00a0This ability to see around corners enabled us to anticipate this trend and protect our artists and songwriters by preemptively placing provisions in our agreements with DSPs that prevent AI slop from being counted in the same royalty pools as our artists and songwriters (among other Artist-Centric components we\u2019ve implemented to advance the interests of artists and reward the value they bring to these platforms).<\/em><\/p>\n<p><em>Fueled by our Streaming 2.0 initiatives, I\u2019m pleased that over the past year, we have delivered on the vision and commitments that we outlined at our Capital Markets Day in September 2024, with growth performance metrics that demonstrate our capability to effectively develop, harness and adapt strategies to the benefit of the entire music ecosystem.<\/em><\/p>\n<p><em><b><u>Global Impact<\/u><\/b><\/em><\/p>\n<p><em>Some of the most enthusiastic feedback I receive from you relates to the work we do with our Global Impact Team.\u00a0\u00a0The work is a direct reflection of the passion and commitment of our colleagues around the world to create positive impact with efforts focused on\u00a0mental health,\u00a0sustainability, music education and community support.<\/em><\/p>\n<p><em>Working closely with our partners\u2014Mental Health Coalition, Project Healthy Minds and Music Health\u00a0Alliance\u2014we directed funding to organizations focused on creating and expanding mental health services to help individuals in communities across the music industry and around the world.<\/em><\/p>\n<p><em>And our focus on the intersection of music and health and wellness has also led to innovative\u00a0commercial\u00a0<wbr \/>opportunities for our artists, while\u00a0helping their fans.\u00a0\u00a0For example, in May we\u00a0launched\u00a0Sound Therapy with Apple Music, combining music from more than 250 of our participating artists using Sollos, our proprietary audio technology initiative, to help fans focus, relax and sleep.\u00a0\u00a0Already, the performance of Sound Therapy has exceeded our expectations.<\/em><\/p>\n<p><em>We also broadened our sustainability initiatives in 2025.\u00a0\u00a0By partnering with innovative suppliers, reimagining manufacturing processes, and collaborating across the industry, UMG continued to reduce its share of global climate pollution in almost everything we do, from the merch and audio products we sell, to the electricity that powers our work. \u00a0And we joined as founding donors to EarthPercent,\u00a0which\u00a0mobilizes artists and the music industry to channel funding and raise awareness for high-impact climate and nature solutions around the world.<\/em><\/p>\n<p><em>Over the course of the year,\u00a0in collaboration with educational institutions, public school systems and\u00a0nonprofit partnerships, we mobilized our artists, labels, employees and fans around programs and initiatives that foster the next generation of industry leaders.\u00a0\u00a0We launched career pathway programs and major scholarships to bolster and support global access to free music education for young people around the world.<\/em><\/p>\n<p><em>And when disaster struck, we were there to help, providing critical support to employees and\u00a0community\u00a0members including those impacted by the L.A. wildfires this time last year.<\/em><\/p>\n<p><em><b><u>Honors and Awards<\/u><\/b><\/em><\/p>\n<p><em>Our efforts in sustainability have been recognized by numerous organizations, including UMG\u2019s being named by\u00a0Newsweek\u00a0as one of the \u201cWorld&#8217;s Greenest Companies\u201d and our winning the \u201cESG Transparency Award\u201d, acknowledging our\u00a0exceptional clarity and openness in sustainability reporting.<\/em><\/p>\n<p><em>Recognizing our strong internal culture, we were named by\u00a0Forbes\u00a0as one of America\u2019s Dream Employers\u2014No. 1 in Media and Advertising and No. 5 overall out of 500 companies across multiple industries.<\/em><\/p>\n<p><em>Finally, for the first time ever, I was so pleased for us that\u00a0Time\u00a0magazine honored UMG as one of the most influential companies in the world last year, the first recognition of a major music company in the list\u2019s history.\u00a0\u00a0That recognition specifically cited our commitment to<b>\u00a0<\/b>defending artists\u2019 rights, championing a more equitable, Artist-Centric streaming landscape for artists and songwriters, and shaping culture through the power of artistry.<\/em><\/p>\n<p><em><b><u>2026 and Beyond<\/u><\/b><\/em><\/p>\n<p><em>Of course, our central focus will continue to be\u2014as it always has been\u2014artist development\u00a0and\u00a0the industry-leading investment we make in artists, along with the global resources that support them.<\/em><\/p>\n<p><em>And this year will also see us focusing much of our energy on growing our presence in broader touchpoints of our expanding industry, extending our geographic footprint, and continuing to lead the way in the development and growth of responsible AI.<\/em><\/p>\n<p><em><b><u>Services to Independent Labels<\/u><\/b><\/em><\/p>\n<p><em>We\u2019ll be developing different models, structures and competencies to service and grow an increasingly vibrant diversity in music.\u00a0\u00a0It\u2019s no secret that much of our company\u2019s success is powered by our entrepreneurial culture and decentralized structure, so identifying and partnering with like-minded leaders and entrepreneurs will only help ensure our continued future success while supporting the health of the entire music ecosystem.<\/em><\/p>\n<p><em>With the anticipated closing of our acquisition of Downtown Music, and by continuing to broaden our independent partner portfolio, we want to accelerate our efforts in providing best-in-class services to both independent entrepreneurs and labels.<\/em><\/p>\n<p><em><b><u>Streaming 2.0, Artist-Centric and the Superfan<\/u><\/b><\/em><\/p>\n<p><em>A key part of our Streaming 2.0 initiative and Artist-Centric strategy is serving superfans and bringing them closer to our artists.\u00a0\u00a0In 2026 we will accelerate these efforts both by working with our established DSP partners on the launch of enhanced premium tiers for superfans, as well as by\u00a0working\u00a0with emerging platforms that are focused on special events and products for superfans\u2014both virtually and in the physical world.\u00a0\u00a0For example, we have recently\u00a0established\u00a0a portfolio of retail stores in Tokyo, Madrid, New York and London as a complement to our growing D2C business, including our network of online artist and branded stores, which reached new heights this past year.\u00a0\u00a02026 will see additional scaling of this activity, including the expansion of our experiential hospitality strategy and seamless integrations between virtual and IRL events for superfans.\u00a0\u00a0All of this activity is further evidence that the very definition of UMG is expanding, while our direct connection with music consumers is growing.<\/em><\/p>\n<p><em><b><u>Global Footprint<\/u><\/b><\/em><\/p>\n<p><em>We will continue to broaden our global presence in fast-growing markets through organic A&amp;R within our growing network of local labels, as well as through partnerships and acquisitions\u00a0of\u00a0dynamic music companies in Africa, China, India and Southeast Asia.\u00a0\u00a0This will include continuing to identify the most accomplished entrepreneurs and independent labels that will provide access to some of the best artists and music in those regions, but also the ability to grow the influence of those artists and their music in markets around the world.<\/em><\/p>\n<p><em>And we\u2019re already getting started.\u00a0\u00a0Earlier this week, we announced that Universal Music India will become a significant minority shareholder in Excel Entertainment, a leading Indian film\u00a0and\u00a0digital content studio.\u00a0\u00a0The deal will expand opportunities for Indian artists and strengthen our position in original soundtracks, which remain at the heart of India\u2019s high-potential music market.<\/em><\/p>\n<p><em><b><u>AI in 2026 and Beyond\u00a0<\/u><\/b><\/em><\/p>\n<p><em>Of course, AI\u00a0will\u00a0continue to have an impact on global industries, including ours, and UMG will continue\u2014as we have with every prior technological innovation\u2014to lead in AI initiatives and sit at the big table where we can help shape the future of music.<\/em><\/p>\n<p><em>On Tuesday we announced a first-of-its-kind alliance with NVIDIA, the world\u2019s leading accelerated computing and AI company.\u00a0\u00a0The scope of ambition behind this\u00a0announcement\u00a0is simple yet profound: to fundamentally transform the music experience, enriching and enhancing it for fans the world over.\u00a0\u00a0And that transformation covers everything, from artist tools for music creation to music discovery and fan engagement.\u00a0\u00a0NVIDIA articulated the relationship perfectly when they said, \u201cwe\u2019re entering an era where a music catalog can be explored like an intelligent universe \u2014 conversational, contextual, and genuinely interactive\u2026 And we\u2019ll do it the right way: responsibly, with safeguards that protect artists\u2019 work, ensure attribution, and respect copyright.\u201d\u00a0\u00a0The fact that the most influential AI enterprises like\u00a0NVIDIA\u00a0are prioritizing partnerships with UMG in their media sector strategies suggests a clear recognition of the significant win-win potential in market-led solutions to harnessing AI innovation.\u00a0\u00a0Our work with NVIDIA will be a multi-year partnership and, like our other AI initiatives, places artists at the center of everything we do.<\/em><\/p>\n<p><em>I\u2019m confident that our approach to AI is the right one, and differs meaningfully from two other\u00a0approaches\u00a0that are equally flawed.\u00a0\u00a0Even as UMG leans into AI, there are some<b>\u00a0<\/b>corners<b>\u00a0<\/b>of the creative sector occupied by those who think there should be no engagement with AI.\u00a0\u00a0Meanwhile on the other extreme, there are some who believe that the \u201cgenie is out of the bottle,\u201d so we should acquiesce to accepting whatever AI models are released, regardless of their ethicality.<\/em><\/p>\n<p><em>If we\u2019ve learned anything over the prior decades, it\u2019s that trying to smother emerging technology is futile\u2026 and as history has demonstrated, completely counterproductive!\u00a0\u00a0The link between\u00a0music\u00a0and technology has been the fundamental growth driver of the music industry for more than a century from the player-piano to the phonogram to radio to vinyl, cassette, MP3, downloads, ad-funded streaming into premium subscription and so on.<\/em><\/p>\n<p><em>That is why, when it comes to new technology, we engage, adapt and innovate.\u00a0\u00a0Whether that\u2019s being the first to embrace streaming and ad-funded models, or striking the first deals to monetize music on social platforms, we must lean in and take the reins in determining our future.<\/em><\/p>\n<p><em>And that is exactly how we will continue to approach AI.<\/em><\/p>\n<p><em>At the same time, that approach must be thoughtful, strategic, commercial and nuanced.\u00a0\u00a0Validating business models that fail to respect artists\u2019 work and creativity\u2014and promote the exponential growth of AI slop on streaming platforms\u2014is a grave disservice to artists, songwriters and all of us who work in music.\u00a0\u00a0Let me be clear:\u00a0\u00a0UMG will not stand by and watch\u00a0irresponsible\u00a0business models take hold\u2014models that devalue artists, fail to provide adequate compensation for their work, stifle their creativity and ultimately, diminish their ability to reach fans.<\/em><\/p>\n<p><em>Protecting\u00a0our artists, our people, our company and our industry is not just a job to me, it\u2019s a mission.<\/em><\/p>\n<p><em>And it\u2019s about something even bigger.\u00a0\u00a0The importance of music to humanity throughout the world cannot be overstated.\u00a0\u00a0Our role in partnering with artists to produce the most popular music on the\u00a0planet\u00a0has an impact that far exceeds our imagination.<b>\u00a0\u00a0<\/b>The music artists create is\u2014and always will be\u2014an extraordinarily meaningful part of the lives of billions of people around the globe. Music is simply beautiful.<\/em><\/p>\n<p><em>Since I was a teenager, I have spent my career investing in and fighting for artists, and I will never stop.\u00a0\u00a0It is the privilege of my life to be able to do this work with all of you.\u00a0\u00a0The more\u00a0seismic\u00a0the changes that come our way, the more energized I become.\u00a0\u00a0Together, we continue to march on!<\/em><\/p>\n<p><em>Welcome to 2026!<\/em><\/p>\n<p><em>Lucian<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Read Sir Lucian Grainge&#8217;s 2026 memo to UMG staff<\/p>\n","protected":false},"author":15,"featured_media":223109,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[2964,2890],"class_list":["post-248157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-sir-lucian-grainge","tag-umg"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/248157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/comments?post=248157"}],"version-history":[{"count":24,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/248157\/revisions"}],"predecessor-version":[{"id":248314,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/248157\/revisions\/248314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media\/223109"}],"wp:attachment":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media?parent=248157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/categories?post=248157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/tags?post=248157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}