{"id":242857,"date":"2025-10-22T11:36:07","date_gmt":"2025-10-22T10:36:07","guid":{"rendered":"https:\/\/www.musicbusinessworldwide.com\/?p=242857"},"modified":"2025-10-22T17:46:06","modified_gmt":"2025-10-22T16:46:06","slug":"mike-sabath-talks-production-songwriting-and-collaborating-on-the-global-success-of-superstar-raye","status":"publish","type":"post","link":"https:\/\/www.musicbusinessworldwide.com\/mike-sabath-talks-production-songwriting-and-collaborating-on-the-global-success-of-superstar-raye\/","title":{"rendered":"&#8216;Bravery is rewarded, fear is the ultimate killer of anything.&#8217;"},"content":{"rendered":"<p>MBW\u2019s World\u2019s Greatest Producers series sees us interview \u2013 and celebrate \u2013 some of the outstanding talents working in studios across the decades. Mike Sabath is the creative collaborator behind Raye&#8217;s recent global breakout. He has also produced artists such as Sabrina Carpenter, Liam Payne and Madison Beer &#8211; and is about to release a debut album of his own. World\u2019s Greatest Producers is supported by<a href=\"https:\/\/kollectivenr.com\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #00ccff;\"> Kollective Neighbouring Rights<\/span><\/a>, the neighbouring rights agent that empowers and equips clients with knowledge to fully maximise their earnings.<\/p>\n<hr \/>\n<p><strong>Mike Sabath<\/strong> traveled halfway round the world to get to <strong>Glastonbury<\/strong> 2025, but it was only when he arrived that he realized exactly why he was there.<\/p>\n<p>Stood in the crowd as <strong>Raye<\/strong> \u2013 much of whose landmark <strong><em>My 21st Century Blues<\/em> <\/strong>album Sabath had produced \u2013 entranced the <strong>Pyramid Stage<\/strong>, lost in her moment of personal and musical redemption, he had his own flash of revelation.<\/p>\n<p>\u201cRaye and I met when we were 18 or 19,\u201d he says. \u201cGetting to watch an artist play in tiny rooms and make music with them, have that music connect and then be standing with 100,000 people at Glastonbury and they\u2019re singing our lyrics is fucking ridiculous.<\/p>\n<p>\u201cGetting to see the vision that I always had for her and always believed in and she always, at her core, believed in for herself, and people crying, dancing and singing\u2026 It was absolutely beautiful. Making something that connects is such an insane feeling.\u201d<\/p>\n<p>Of course, Sabath would hardly be the first musician to arrive on Worthy Farm and get high on the leylines and the general vibes. But you get the impression he\u2019s always like this. He speaks passionately about how music is core to the human experience and how his recent solo tour, in which he drove around America in an RV, recording in the wild and playing shows for whoever and wherever would have him, was driven to prove his personal \u201cthesis that humans are good\u201d.<\/p>\n<hr \/>\n<div class=\"mb-embed-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/rK5TyISxZ_M\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p>Speaking in laidback tones and long, sometimes tangential sentences, Sabath occasionally sounds as much like a cult leader as a top hitmaker \u2013 he says he uses the interview process to understand himself better (\u201cI\u2019m an unusual guy \u2013 I\u2019m learning that I\u2019m more unusual than I really understood, to be honest\u201d). But it\u2019s this deep thinking, empathetic approach and unique worldview that makes him such an exceptional producer, the person musicians call when they want to get their true, artistic self out there.<\/p>\n<p>Sabath grew up outside New York and started playing music very young, but always took it seriously. His parents pushed him academically but supported his music career, as long as the latter didn\u2019t affect the former. So Sabath would diligently do all his homework at school in breaktime so that, when he got home, he could head straight to the basement and make music.<\/p>\n<p>His two worlds only diverged when he turned down a place at Harvard to concentrate on his music \u2013 and landed a publishing deal with what was then <strong>Sony\/ATV<\/strong> three hours later. Even with that deal in his pocket, he\u2019d hustle relentlessly: he would sit in the middle seat on any flight so he could make two different connections, while he and his manager would turn up to studios and blag their way into sessions (\u201cIt was absolutely psychotic, but it worked\u201d).<\/p>\n<p>It paid off too. He co-wrote sports highlights favorite <em>Get Loud For Me<\/em> with <strong>Gizzle<\/strong> at a Sony songwriting camp, <strong>Aaron Bay-Schuck<\/strong> \u2013 now CEO and co-chairman of <strong>Warner Records<\/strong>, but then an <strong>Interscope<\/strong> A&amp;R \u2013 asked him to collaborate with <strong>Selena Gomez<\/strong> and suddenly he was being invited into sessions, rather than gatecrashing them.<\/p>\n      <div class=\"mb-advert__incontent\">      <div class=\"mb-advert mb-advert__tweeny hidden-xs hidden-ms hidden-sm\" data-loaded=\"no\" data-sizes=\"992 1200 1440\" data-name=\"628x90 Sponsor banner #12 (992+1200+1440)\" data-params=\"dfp_sponsor12_628\" id=\"dfp_sponsor12_628\"><\/div>      <div class=\"mb-advert mb-advert__banner mb-advert__banner--inline hidden-xs hidden-sm hidden-md hidden-lg\" data-loaded=\"no\" data-sizes=\"480\" data-name=\"468x60 Sponsor banner #12 (480)\" data-params=\"dfp_sponsor12_468\" id=\"dfp_sponsor12_468\"><\/div>      <div class=\"mb-advert mb-advert__mobile mb-advert__mobile--inline hidden-ms hidden-md hidden-lg\" data-loaded=\"no\" data-sizes=\"320 768\" data-name=\"300x50 Sponsor banner #12 (320+768)\" data-params=\"dfp_sponsor12_300\" id=\"dfp_sponsor12_300\"><\/div>      <\/div>      \n<p>Still signed to Sony today, he\u2019s subsequently worked with everyone from <strong>Sabrina Carpenter<\/strong> to <strong>Lizzo<\/strong>, <strong>Zara Larsson<\/strong> to <strong>Meghan Trainor<\/strong>, and <strong>Liam Payne<\/strong> to <strong>Madison Beer<\/strong>. It\u2019s since he shifted his approach, however \u2013 devoting time and energy to major projects rather than doing multiple sessions with multiple artists \u2013 that his stock has really soared. As well as collaborating on <em>My 21st Century Blues<\/em> and Raye\u2019s hotly anticipated follow-up (Sabath co-wrote and produced Raye\u2019s current smash, <strong><em>Where Is My Husband!<\/em><\/strong>), he helped craft <strong>Shawn Mendes<\/strong>\u2019 uber-personal <strong><em>Shawn<\/em><\/strong> album.<\/p>\n<p>And he\u2019s worked with former Little Mix star <strong>Jade<\/strong>, co-writing and producing several tracks on her <em><strong>That\u2019s Showbiz Baby!<\/strong><\/em> album, including the epic single <strong><em>Angel Of My Dreams<\/em><\/strong> (\u201cThat was a day of not giving a literal fuck, and that aligned with her needing to say something to the music industry\u201d).<\/p>\n<figure class=\"mbw-articlepic mbw-articlepic--right\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/do-you-mind.jpg\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/do-you-mind.jpg\" data-lightbox=\"image-set\" data-title=\"\"><img  class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/do-you-mind-80x80.jpg\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/do-you-mind-80x80.jpg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/do-you-mind-160x160.jpg 160w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><\/figure><p>Sabath originally wanted to be an artist and spent the summer re-focused on his solo career, releasing an excellent double single, <strong><em>Do You Mind?\/High<\/em><\/strong>, with an album, <strong><em>Attention Maximum<\/em><\/strong>, on the way. He buzzes about his tour, which saw him performing everywhere from Bonnaroo \u2013 where he played on the roof of his RV, despite the festival being washed out \u2013 to random farms in Missouri (\u201cThey let us play for their hillbilly community and shoot fireworks\u201d).<\/p>\n<p>He plans to continue his solo career alongside his production work (\u201cIt\u2019s cool how they feed each other), with multiple big studio projects on the horizon, and also wants to help mentor young producers in the way the craft\u2019s elder statesmen and women welcomed him as the new kid on the block.<\/p>\n<p>First, however, he needs to sit down in his LA studio and channel his energy into talking <strong><em>MBW<\/em><\/strong> through streaming, AI and Raye\u2019s big lesson for the music industry\u2026<\/p>\n<hr \/>\n<h6>HAS IT BEEN NICE TO EMBRACE YOUR ARTIST SIDE?<\/h6>\n<p>Yeah, it\u2019s been important. Four or five months ago, when I was working on literally four albums at once and it was out of control and really intense, I was feeling like I couldn\u2019t touch production for a second. I was really tired in that space.<\/p>\n<p>My own art is an important side of my life that really needed attention, so I gave it that time. What\u2019s beautiful is, I\u2019m now returning to production fully energized. They are really two different basins of energy and they enable each other to grow.<\/p>\n<p>I feel so fresh, like I\u2019m at the beginning of this new chapter of my production career, and I have zero ego right now. That\u2019s so important; a pinch of ego had arrived and now, in this new chapter, I feel like a student again.<\/p>\n<hr \/>\n<h6>WAS IT A BRAVE DECISION TO PUT YOUR PRODUCTION WORK ON HOLD?<\/h6>\n<p>When I was younger, it was much easier to make insane decisions, because you\u2019ve got no fear \u2013 like, \u2018I don\u2019t even know what fear means, fuck it.\u2019<\/p>\n<p>As I\u2019ve gotten a little older and been afraid of things, I\u2019m lucky that I made some big brave decisions when I was younger that really changed my life. I\u2019ve been able to reference those in moments when I need to choose something scary and been like, \u2018Well, when you decided this, something responded\u2019. Bravery is rewarded, but fear is the ultimate killer of anything.<\/p>\n<blockquote><p>&#8220;Life ultimately comes down to honing your instinct, trusting that and letting it be the guide to making choices.&#8221;<\/p><\/blockquote>\n<p>Life ultimately comes down to honing your instinct, trusting that and letting it be the guide to making choices \u2013 whether that\u2019s life choices, money, where I spend my energy, which instruments I\u2019m choosing for a different record at different moments, or which artists I\u2019m working with.<\/p>\n<hr \/>\n<h6><figure class=\"mbw-articlepic mbw-articlepic--right\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues.jpg\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues.jpg\" data-lightbox=\"image-set\" data-title=\"\"><img  class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues-80x80.jpg\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues-80x80.jpg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues-160x160.jpg 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues-320x320.jpg 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2025\/10\/my-21st-century-blues-418x418.jpg 418w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><\/figure>IS THAT HARDER TO DO WHEN THE STAKES ARE HIGH ON AN ARTIST\u2019S PROJECT, LIKE THEY WERE WITH RAYE\u2019S ALBUM?<\/h6>\n<p>That was a scary choice; it was riskier, potentially financially, it was less stable. But when I decided to do the Raye album, that ultimately completely elevated and changed my production career. And her career too.<\/p>\n<p>It literally gave both of us such an enormous jump in our careers and that was because I was like, \u2018It\u2019s time to focus on something I really believe in and see what happens when I do that\u2019. Rather than put my energy all over the place, I\u2019ll put it in one place and be with someone amazing.<\/p>\n<hr \/>\n<h6>SHE MADE A BOLD CHOICE HERSELF, LEAVING HER LABEL AND GOING IT ALONE. WERE YOU AWARE OF HOW VITAL IT WAS FOR HER CAREER THAT THIS RECORD SUCCEEDED?<\/h6>\n<p>That wasn\u2019t a thought. Her deciding, \u2018No more of this, I refuse\u2019, changed her life.<\/p>\n<p>We have so much love for each other, which is also the foundation of a great record: love and trust between the producer and the artist. But a big reason the record was great because I was certainly not bringing any energy into the room around, \u2018This has to be so good or it\u2019s like\u2026\u2019 Because if you bring that in, all of a sudden, you\u2019re doing it for someone else. And if you\u2019re making music for someone else, it\u2019s going to probably be fucking mid.<\/p>\n<p>My entire focus in that album was Rachel. I said, \u2018People don\u2019t know you as an artist yet, they know you as a voice, and we\u2019re introducing you as an artist.\u2019<\/p>\n<p>That was everything. Every time she was like, \u2018Shall we put one of these [more commercial] types of songs on it?\u2019, I was like, \u2018Raye, we\u2019re introducing you as an artist, remember? Whatever story you need to tell and whatever you need to share, is the only thing we need to be focused on\u2019.<\/p>\n<hr \/>\n<h6>DID YOU AT LEAST REALIZE HOW SUCCESSFULLY YOU WERE DOING THAT?<\/h6>\n<p>No, I didn\u2019t bring that into the room either! I really tried to not think about anything that would happen after [the record\u2019s release], I was trying to be as present as possible.<\/p>\n<blockquote><p>&#8220;That is my job as a producer: to trust my instincts and the people I\u2019m working with so I can get them into a space of openness, trust, truth and love.&#8221;<\/p><\/blockquote>\n<p>If it\u2019s going well and the artist\u2019s eyes are glowing and they\u2019re inspired, the job of the producer is to get the human you\u2019re working with aligned with themselves, remove their fear and activate it. That\u2019s the goal. If you can get any human like that it\u2019s great, but if you can get a human who is also talented in that space, you\u2019re probably going to make something fucking sick. That\u2019s the secret.<\/p>\n<p>That is my job as a producer: to trust my instincts and the people I\u2019m working with so I can get them into a space of openness, trust, truth and love. The talent they have will then come through and then, as long as I steer the ship \u2013 and, at this point, I can produce a song \u2013 then that\u2019s kinda that.<\/p>\n<hr \/>\n<h6>DO YOU THINK RAYE\u2019S SUCCESS TAUGHT THE MUSIC INDUSTRY A LESSON?<\/h6>\n<p>I do. That record, that moment and her career now, that was impactful.<\/p>\n<p>Labels were shifting anyway, but that was the most significant moment of an artist doing something a) not with a major, and b) publicly being like, \u2018I don\u2019t need one\u2019.<\/p>\n<p>It switched up labels. Labels are tricky because they\u2019re firing everyone and they\u2019re really just operating off analytics, and that\u2019s weird. Ultimately, that means it&#8217;s up to the creatives to keep things going that are from a place of art, rather than a place of numbers. Being on the artist side, it\u2019s scary, it\u2019s really hard to have [your career] be sustainable so it makes sense why it\u2019s been discouraging for a lot of people.<\/p>\n<p>But it cycles and I think a lot of great art is coming back. We\u2019re seeing a lot of great shit happening and we\u2019re seeing people respond to art. They\u2019re also responding to things that are numerically doing well, but people are open to people making things they\u2019re inspired about.<\/p>\n<hr \/>\n<h6><figure class=\"mbw-articlepic mbw-articlepic--right\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259.jpg\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259.jpg\" data-lightbox=\"image-set\" data-title=\"Jon Platt, Sony\"><img  alt=\"Jon Platt, Sony\" title=\"Jon Platt, Sony\" class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-80x72.jpg\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-80x72.jpg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-160x144.jpg 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-320x288.jpg 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-418x377.jpg 418w, https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-648x584.jpg 648w, https:\/\/www.musicbusinessworldwide.com\/files\/2018\/04\/Jon-Platt-photo-credit-Nadav-Kander-e1523283295259-836x753.jpg 836w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><\/figure>DOES THE INDUSTRY PLACE ENOUGH VALUE ON SONGWRITERS AND PRODUCERS?<\/h6>\n<p>Some people do, some people don\u2019t. Socially, they\u2019re being like, \u2018We have to celebrate the songwriters, do these awards and talk about these things\u2019. But paying them well? It\u2019s like, \u2018Errr\u2026\u2019.<\/p>\n<p>There are people who are fighting. Big Jon [Platt, pictured] at Sony [Music Publishing], for example, is fucking amazing. He actively tries to push for the forward motion of business for songwriters. I respect that man so much, he really shows a lot of love socially and in person for songwriters and backs it. But it\u2019s obviously hard to move giant businesses.<\/p>\n<p>There are so many things in America that used to be quiet that are now loud, so people can be aware, make noise and push energy towards shifting things \u2013 and it\u2019s the same in music.<\/p>\n<p>More people are aware that songwriters even exist \u2013 that was not even a thing the public knew about at all. People were like, \u2018I thought every artist wrote their songs?\u2019<\/p>\n<p>And, within the industry, songwriters are more aware because there are now TikTok or Instagram accounts that provide information.<\/p>\n<p>There\u2019s more money in music than ever before \u2013 that\u2019s something that is kept quiet. And this certain percentage of it is going to labels, streaming platforms etc, this percentage is going to artists and this percentage to songwriters and producers.<\/p>\n<p>I\u2019ve been working in the music industry for eight years and I\u2019m still like, \u2018Wait, how do I get paid? How does it work? There\u2019s 100 points and we only have, like, four? Hold on!\u2019<\/p>\n<p>So, just getting the information is really important for the community to be like, \u2018Shit, we should probably stand up because we make all the songs!\u2019<\/p>\n<blockquote><p>&#8220;We\u2019re in transition, the old ways are becoming old, the people who want to keep it that way are fighting and the people who want change are fighting and eventually it will shift, because that\u2019s how it goes.&#8221;<\/p><\/blockquote>\n<p>We\u2019re in transition, the old ways are becoming old, the people who want to keep it that way are fighting and the people who want change are fighting and eventually it will shift, because that\u2019s how it goes. But it\u2019s going to take more time.<\/p>\n<p>It\u2019s discouraging a lot of creatives from creating and it\u2019s making that step from amateur to pro really hard. Because, as a songwriter, you can only make money if you have a big song, and having a big song takes years. You can have a hit randomly but to have a sustainable career, it takes so long to get into a room where you\u2019re able to have a big song.<\/p>\n<p>It\u2019s preventing a lot of people from pursuing it and committing to it, which will then create more space for a robot to make the songs.<\/p>\n<hr \/>\n<h6>HOW DO YOU FEEL ABOUT AI\u2019S POTENTIAL IMPACT ON PRODUCTION AND SONGWRITING?<\/h6>\n<p>AI is a really helpful tool. But I don\u2019t support it being in the forefront of music-making. It probably can make good songs, but I don\u2019t think that\u2019s cool. That\u2019s putting energy into non-human activity, and I personally support human activity.<\/p>\n<hr \/>\n<h6>WHAT WILL HAPPEN IF YOU BECOME A MASSIVE STAR AS AN ARTIST?<\/h6>\n<p>That would be so fun! But I\u2019d definitely still want to make records with other people. I love making music and, when I\u2019m in that space, I have the best time of my life. When something is such a part of you, you forget how important it is to your equation of peace.<\/p>\n<p>If you\u2019re doing anything, make sure you\u2019re doing it for yourself, and not for other people, because you\u2019re not going to be happy. If you\u2019re making music to prove something to someone else, you probably should do something else. But, if you\u2019re making music because it fuels your soul, you should do it, no matter what.<\/p>\n<p>Follow the thing that makes your eyes glow and your heart open, because it\u2019s good for you and, ultimately, it\u2019s going to be good for everyone else around you.<\/p>\n<hr \/>\n<a class=\"link-external\" href=\"https:\/\/kollectivenr.com\/\" target=\"_blank\" rel=\"noopener\"><figure class=\"mbw-articlepic mbw-articlepic--right\"><a class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1.jpg\" target=\"_blank\" rel=\"noopener\"><\/a><a href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1.jpg\" data-lightbox=\"image-set\" data-title=\"\"><img  class=\"lazyload\" src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1-80x51.jpg\" data-srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1-80x51.jpg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1-160x101.jpg 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/12\/KNR-320x202-1.jpg 320w\" data-sizes=\"auto\"><i class=\"fas fa-search-plus magnifying-glass-icon\"><\/i><\/a><\/figure><em><strong><span style=\"color: #ff6600;\"><span style=\"text-decoration: underline;\">Kollective Neighbouring Rights<\/span> is one of the largest and most efficient neighbouring rights agents in the world. KNR navigates a complex and detailed income stream whilst providing clients with unmatched transparency, monthly accounting and flexible statement solutions.<\/span><\/strong><\/em><\/a>\n","protected":false},"excerpt":{"rendered":"<p>Mike Sabath on working with Raye, why he makes music, fighting for change and why AI belongs in the backseat<\/p>\n","protected":false},"author":29,"featured_media":242861,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[119500],"class_list":["post-242857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-worlds-greatest-producers"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/242857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/comments?post=242857"}],"version-history":[{"count":11,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/242857\/revisions"}],"predecessor-version":[{"id":243073,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/posts\/242857\/revisions\/243073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media\/242861"}],"wp:attachment":[{"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/media?parent=242857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/categories?post=242857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicbusinessworldwide.com\/wp-json\/wp\/v2\/tags?post=242857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}